Thursday, March 31, 2016

Alan Dean Foster writing a book on his Novelization Career!


ADF...waiting for his palmistry results.

The object of my idolatry, Alan Dean Foster, recently announced the completion of his memoir titled: "The Director Should've Shot You", recounting his long tenured career of writing Novelizations.

From Luana to Star Wars: The Force Awakens (2015), ADF vows to include all anecdotes and frequently asked questions over the years he has received appertaining to his life as the top novolizationalist.

As of spring 2016, ADF's agency is fishing for a publisher and claims he included covers to each one of his movie tie-ins, with hopes that more pictures are included throughout the book.

I'm overly delighted by this news and will definitely go out of my way to purchase this one. Even though he's been very open and detailed about his past experiences in various interviews, It'll be an immense aide for me to have all this info in one tome. This way I can cram more factoids about his novelizations into future article reviews for everyone to enjoy. I just completed the original Star Wars novelization tonight and hopped onto his website for research, only to discover this wonderful news. I already have drafts for 'Clash of the Titans' and 'Star Wars', and now i'm thinking i should wait until this memoir is released before i publish those articles.

Based on the tentative title, I assume ADF receives more criticism for his adaptations than praise. Knowing how fanboys can be, this isn't too surprising. I myself understand he's put in a difficult situation where he hasn't seen the film and is working off a draft of the screenplay. Therefore, as a fan, you have to create your own canon and choose what to exclude and include in your mind.

Until then, look forward to reviews on The Fog, Halloween III, Re-Animator, and Dragonslayer. Also, I'm dying to procure a copy of April Fool's Day by Jeff Rovin.
 
 

Halloween III: Season of The Witch [1984] - Novelization - Review

Based on: Halloween 3: Season of The Witch (1982)
Genre: Horror_Sci-Fi_Witchcraft_Halloween


The night no one came to the theater.


Backcover Plot: The streets are quiet. Dead quiet as the shadows lengthen and night falls. It's Halloween. Blood-chilling screams pierce the air. Grinning skulls and grotesque shapes lurk in the gathering darkness. It's Halloween. The streets are filling with small cloaked figures. They're just kids, right? The doorbell rings and your flesh creeps. But it's all in fun, isn't it? No. This Halloween is different. It's the last one.



Throughout the novelization, an exorbitant amount of ink is spent in the malaised mind of Dr. Challis. In the beginning, he constantly stresses over his alcoholism, the turbulence of his divorce, and the disconnection he has with his kids. Moreover, the unremitting hype for Halloween this year has him scorning the world everytime that irking jingle rang. No need to get into detail, but the book needlessly expands upon his misfortune to the point of frustration. It almost felt like I was the one paying his child support.
 
It seems as though Challis constanly went over his misery on a daily basis, counting his troubles and woes.  After getting called into the hospital, I was amazed he didn't blow off his head before chapter 3.
 
One additional scene has him shopping for the masks that he eventually gives to his kids; where as in the film, he just shows up and gifts his kids with silver-shamrock knockoff masks, only to have them shun them in favor of the ever popular silver-shamrock ones.

Now that i've read the novelization, I notice the undertone of Challis' aversion to children mirroring that of Conal Cochran. And I only needed Dennis Etchison to hammer it in my head for a series of paragraphs to accomplish this.


'Get me childproof everything.'

Once again, Etchison delivers a savory death-by-fire scene.  I'm, of course, referring to the scene where an android torches himself in the hospital parking lot. It's as though Etchison was born to describe fire and light. NASA needs to attach this guy to a rocket and have him prose the cosmos on a looping voyage. Frankly, It would be much better than the blurry images they provide.

Excerpt Time: "Challis rocked back and shielded his face as the entire car exploded and an enormous mushroom cloud erupted into the night sky. A fire ball rolled heavenward, orange at the center and then deep red, veined with black smoke, seering trees and lighting up the night with the terrible beauty of an unearthly glow." - Jack Martin's Android death scene in parking lot.

One thing Etchison Nails is the jolly, daft attitude of the Kupfer family. Ostensibly, Challis is affable to the bunch. Inside, their annoyance scrapes at the last remaining nerves the Man's got.

After arriving in Santa Mira, Challis' suspicions are on high alert from the start. A lot of small extra info is revealed about the town; a number of businesses are talked about, and how Cochran supports them all. It appears as though Cochran led a massive Irish Exodus to the town, forcing all the locals out of employment and involvement. 

For the last two acts of the story, much of the dialogue is additional or altered. By that, i mean it's additional drivel spoken by the silly clowns that have embarked at ground zero for samhain sacrfices on halloween.

The most noticeable omission from the film was the absence of the autopsy scene in which Challis phones the female doctor in regards to the results. Remember, She was then executed by an android? Yeah, that was expurgated entirey and replaced with a frantic phone call by Challis to his surly ex-wife, warning her of the dangers of the Silver Shamrock masks. She blows him off curtly, calling him a drunk, jealous fool. She was only half right in her claim, though.

Upon busting into the toy factory, Challis stumbles into Cochran's mancave; a tinkerer's paradise as it's described.

Instead of getting background narrative on Cochran, they make him more garrulous in the final act.

In comparison to the nefarious performance of Dan O'Herlihy, this approach diminishes his evil presence. Like i stated before, we're only viewing the story from one perspective--Challis'.

At one point he expresses how his ancient ancestors (Irish Celts) would be astonished by the technical progress he and his team of docile androids have accomplished. He admits they lacked the ability to harness their power.

In Cochran's epic speech revealing his intentions and motives, Cochran has several additional lines, although I think it came off much scarier in the film. He gets pretty brash when he maligns humans and the christian religion. When Challis inquires about which Pagan God Cochran worships, he even directly profanes Jesus!

So much of the dialogue is altered (slightly) throughout his polemic on the blasphemy of the contemporary Halloween. Also, he mocks mankind's inability to understand the rudimentary workings of their own anatomy.

Here's a good one: When Challis asks him why he's targeting the children, Cochran tells him it's because they are less defiant, wretched, and come out of the dirtiest part of women

Finally, a gray suit is present, three masks in hand, for Cochran to choose a skull mask.

Jumping to the finale, Challis and Ellie escape the exploding factory just in time. Challis cogitates on the magnitude of the situation, knowing that the ancient evil they had just destroyed was only one manifestation of evil. Knowing that Evil will endure forever in many forms for many Halloweens to come.

Overall, I was disappointed with the narrow-sighted narration of the novel. It seems as though Etchison was instructed by John Carpenter to not expand upon Cochran's origins or background. Due to its pagan subject matter, Halloween III: SOTW happens to be one of my favorite horror films of all-time. In the end, the film is far superior to the novelization.


Screenplay: Tommy Lee Wallace (Nigel Kneal & John Carpenter)
Author: Jack Martin (AKA Dennis Etchison)
Release Date: October 1st, 1984
...
My Rating: B+


Wednesday, March 16, 2016

Cathy's Curse (1977) Original Novelization - Prologue


Cathy's Curse: Eyes of Jade

Original Adaptation by J.B. Midura

Based on: Cathy's Curse (1977) film
 
 

Prologue:

December 1947 – Westmount, Quebec

Veering around the chain link entrance bend at fleeting speed, dark silhouettes formed into articulately designed mason manors in the bright beam of a red locomotive's headlights. The motor slowed down as it tore through a streaming sheet of misty drizzle flowing from the street lamp's yellow cone. Tiny newborn zephyrs swirled under the lamp's shaft, yet the sparkling drizzle was invisible in the darkness beyond.

The car's tires came to a skidding halt at a stately home, breaking the neighborhood's salubrious silence.

Westmount, a thriving suburb of Montreal, had been inhabited since the earliest days of the French colonial settlers' migration in the middle of the seventeenth century. By the twentieth century, the area had progressed into an opulent enclave for Anglophone businessmen.

A dusting of crystallized snow rested on the rocky entrance way of the Gimble manner, glistening on the trail . Before the engine's pistons could cease, Mr. Gimble, dressed in a brown suit and tie, with a thick mustache that commanded dignity, rushed hastily upon the porch of his posh residence. He over gripped the doorknob with savage force, aggressively twisting and squeezing it.

In an anxious fury, he burst into the foyer, not even bothering to shut the door behind him. It slammed up against an empty coat rack, incurring a transient wobble. "Joanne! Joanne?" He shouted, eyes searching around for any sign of human activity. The lights were fully shining about the house. Still, he felt the dark despair that filled the place. The silence hemorrhaged the senses into fraught and warped vibes. Mrs. Gimble's perfume was largely absent, though it still lingered in the air—sweet and tangy.

Coming from upstairs, he heard the faint whimpers of a dejected wail. He hurried his way up the staircase, hand gripping the oak railing, ascending past an array of oil paintings and formal family portraits in black and white. The painted green pastures and smiling faces were a drastic contrast to the grave paroxysm of Mr. Gimble.

He swung open the door to his daughter Laura's room, knelt down at the edge of the bed, and consoled his saddened child. "Where's your mother and your brother?" He asked calmly, wiping the tears from her eyes.

"Mommy's gone. She's taken George with her," Laura murmured, clutching a tattered doll.

He stood up immediately. "Your mother's a bitch!" Mr. Gimble asserted, sternly emphasizing the insult. "She'll pay for what she did to you." He snatched up Laura's hand and they exited the home, leaving the house as it was.

Luckily, conveniently, inexplicably, Laura had a hold of her coat, along with her rag doll. Ever since her mom had gifted it to her for Christmas days earlier, the bizarre happenings effects on her and the house.

Horridly tattered, the doll's eyes were stitched shut. Supposedly, Mrs. Gimble had purchased the doll at a Gypsy roadside sale. On a vile quest to find the most hideous gift imaginable, she'd rummaged through a heap of threaded fodder until she stumbled upon the foulest thing available.

She'd ignored the decrepit old lady's incoherent grumbles, curtly waving the gypsy woman off. Spending only pennies, she still felt it to be a waste of money. Laura was Mr. Gimble's most cherished asset. Scarring his baby girl's mind indirectly was a cunning tactic, she had thought.

But she'd thought wrong. Horribly wrong!

The horrors harbored in that doll were as uncontrollable and perilous as a Wizard's wand in the hands of a simpleton. The curse had empowered Laura with a fiendish will, wreaking terror and malevolent dominance over anyone in its range. Its power flourished wherever it was welcomed.

Infuriated, Mr. Gimble had sensed the strong urgency to rush home that evening after Mrs. Gimble's telephone tirade 20 minutes earlier. The threats of leaving the two of them behind and bolting with their youngest kid, George, felt real this time. The holiday tension had boiled in the household until its exploding point.

Mr. Gimble was, for the most part, oblivious to the emotional drama in the household and the severity of how wretched his marriage had become. Renowned as a shrewd and stern businessman, he never tolerated dissension in the house, never once left work to attend a family crisis until now.

Strapping the belt over her scarlet dress, Mr. Gimble tucked Laura into the passenger seat of his apple-red Plymouth He'd grabbed nothing to shelter him from the weather, for his rage-scorched blood heated him thoroughly. With a swift click, the engines roared to life and the headlights penetrated the eerie darkness ahead. Mr. Gimble gripped the wheel hard, his brown eyes deciphering the night beyond him.

Chilling organ music came from the car speakers, amplifying the stress of the moment. The windshield wipers whipped from side to side, slashing away glossy snow. It assailed from the dark sky, thick and heavy. The further they drove, the harder it got.

Laura propped herself up to get a read on her Dad's mood, as well as a read on the evening's cold, tempestuous mood. Their neighborhood was well behind them now, a small blob of yellow dots in the rear view window.

Suddenly, out of some ethereal realm, an albino Rabbit pranced across the blacktop. Mr. Gimble, knowing the extreme rarity of these wondrous creatures, swerved frantically around it in an attempt to preserve their posterity, clipping a snow bank. The roadside castle of ice crumbled like the walls of Jericho. Laura flashed a terrifying expression at her father, her heart thumping. Shock choked her scream, paralyzing her fright.

Snow camouflaged the Rabbit's pure white fur, but its soft tracks visibly dotted up the hill.

He jerked the wheel back across the slippery street, skidding wildly into a snow-crusted ravine. In his panic, he had over corrected the vehicle. The heavy metal was crunched into the frozen ground, its grill crushed inward.

Tendrils of black smoke rose from the cracked engine, a precursor to combustion.

Orange flames began to gush from underneath the crumpled hood, hissing in the icy air. Mr. Gimble, unconscious, was hunched over the steering wheel, obstructing their escape. The sound of crackling flames and agonizing shrieks resonated over and over, seething, sizzling inside. Trapped!

“ Help, Daddy, open the door,” Laura cried out, beseeching him to locate his bravery.

But her dire weeps went unheeded.

Mr. Gimble's skin sprouted revolting pits of caustic flesh about his neck and face, cherry color, the fire quickly charring his bones to iron black. Laura's teary eyes were extinguished by the rapid spike of incinerator-like temperatures as she reached out at the morbid rictus of Mr. Gimble's glowing skull. She struggled against her dooming fate until her aqueous humors went as dry as the sands of Egypt. Her bright red dress darkened to crimson, then black ash.

The car was swallowed up by scorching flames and smothered by blackening smoke. Metal ripped and contorted, pinballing bolts underneath the bent hood. The sound grew to an excruciating decibel.

Along the hillside, the albino rabbit witnessed the roadside pyre that it had engendered, its sanguine eyes reflecting the cavorting blaze. With grace, the divine creature hopped up the embankment and into the labyrinth of a shadowy forest, a forever panorama stretching beyond optical limits. The rabbit zagged through the towering Junipers, which stood like imposing Kremlins, contoured by the silver moon hovering behind.


Stay tuned for Chapter 1 coming soon!!!